I am building up a better idea of what I intend for my website to look like and how it's going to layout. I have decided to build the website to my own personal preference and not based on the already existing site hartnoll's guitars. So this is now my original website design, called Fennder, abit like Fender guitar company, except my last name is Fenn so this how it worked. Although I will still be using Hartnoll's and Vibes guitar sites as influences and to help me imagine how I want my site to look.
For the background I intend to use some sort of black or chrome look to it. I want to stick to dark colours, mostly black and white. I want to make the layout and tabs in a nice stylish order and not all over the place and in your face, and also simplistic but also stylish.
Hopefully, after gathering pictures for my site, I will hopefully use some for the website layout, maybe using some of the pictures for the background image.
Wednesday, 19 January 2011
Project Proposal
Different methods of capture:
- Photography
- Fonts
Tablet drawing
- Audio/s/fx and music
Markmaking
Rubbings etc.
Image libraries
- Sound libraries
- Video recording
- Vector drawing
- Bitmap drawing
- Limited use of internet sources
Tuesday, 18 January 2011
Wordle
Today we were introduced to an internet site called Wordle, which allows you to create typography styled work simply by typing in the words you want to see on it. After typing in the list of words you want to use, the site automatically generates a typography style of those words. Furthermore, you can edit the style, layout and font and position of the font and much more. We made use of this by firstly using words that relate to yourself, then lastly making one which is based on another in the class of our choice. I have given an example of one I made here. This was introduced to us because it is a vaild and convenient method of capture.
I am considering how I can use Wordle for my work as it is an interesting and attractive method.
I am considering how I can use Wordle for my work as it is an interesting and attractive method.
Tuesday, 11 January 2011
Neville Brody
Neville Brody is an English typographer, graphic designer and art director.
Neville Brody is an alumnus of the London College of Printing and Hornsey College of Art, and is known for his work on The Face magazine (1981–1986) and Arena magazine (1987–1990), as well as for designing record covers for artists such as Cabaret Voltaire and Depeche Mode. He created the company Research Studios in 1994 and is a founding member of Fontworks. He has been announced to be the new Head of the Communication Art & Design department at the Royal College of Art commencing in January 2011.
At school, Neville studied A-level art. In 1975 Brody went on to study a Fine art foundation course at Hornsey college of Art, in 1976, Brody started a three year B.A course in graphics at the London college of printing
Initially working in record cover design, Brody made his name largely popular through his revolutionary work as Art Director for The Face magazine when it was first published in 1980.
Brody has consistently pushed the boundaries of visual communication in all media through his experimental and challenging work, and continues to extend the visual languages we use through his exploratory creative expression
Neville Brody is an alumnus of the London College of Printing and Hornsey College of Art, and is known for his work on The Face magazine (1981–1986) and Arena magazine (1987–1990), as well as for designing record covers for artists such as Cabaret Voltaire and Depeche Mode. He created the company Research Studios in 1994 and is a founding member of Fontworks. He has been announced to be the new Head of the Communication Art & Design department at the Royal College of Art commencing in January 2011.
At school, Neville studied A-level art. In 1975 Brody went on to study a Fine art foundation course at Hornsey college of Art, in 1976, Brody started a three year B.A course in graphics at the London college of printing
Initially working in record cover design, Brody made his name largely popular through his revolutionary work as Art Director for The Face magazine when it was first published in 1980.
Brody has consistently pushed the boundaries of visual communication in all media through his experimental and challenging work, and continues to extend the visual languages we use through his exploratory creative expression
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